The Itals

With Indubious

 

Thursday, August 9th, 2018

Munch & Music kicks off at 5:30 PM


the itals BIO

Long before the Itals were a spark in their producer’s eye, Keith Porter recorded his first hit single, “Hitey Titey”, with the Westmorelites on the Studio One label in 1967. Around 1969, Keith became lead singer for a band named Soul Hermit, backed by Eugene Gray and Wignal Henry on guitars, Reginald Seewell/Nash on base and drums. They played in numerous entertainment sectors of Jamaica until Owen Sinclair put together a new band in 1971.

Called Future Generation, the band was composed of Dalton James and Roy Hilton on drums, Devon Henry on keyboards, Eugene Gray, guitar, Scott on sax, and Keith on vocals. They performed at many hotels and nightclubs on the tourist circuit of Jamaica for X amount of years, singing all styles of music, American and Jamaican. Tiring of the club scene around 1975, Keith ran into Ronnie Davis on Orange Street in Kingston and asked him who was auditioning. Ronnie gave him a cassette with a rhythm. “I was so happy with that rhythm I didn’t look any further,” says Keith. “In less than a week I had written Ina Dis Ya Time and came back to Kingston to record it for Lloyd Campbell’s SpiderMan label. Lloyd felt it needed some harmonies with my lead, so Ronnie and I both added harmony parts.

There was no intention of forming a group called the Itals; the record first came out as Keith Porter. After the song was on its way to becoming a hit in Jamaica, we all went out to do some promotion. Lloyd, Ronnie, myself and Brian Thomas of RJR were sitting out back in the cantina, when Brian said ‘why not call them the Itals’, because now there was more than one person singing. Everyone liked that name. It sounded good, so all of a sudden, Itals was a group. It was never intentional. I’ve always wondered if the name was the result of Brian noticing how strict I was about the food I ate, strictly Ital.” Lloyd quickly repressed the record as ‘The Itals’ to meet demand.

Today the song remains The Itals’ signature tune, and has been described by Keith Richards of the Rolling Stones as “the perfect reggae track”. It has been included on the Rolling Stones’ Artist Choice cd, released this year and available through Starbucks Coffee from Hear Music, a division of EMI and in selected major chains. The success of “Ina Dis Ya Time” saw the group return to the studio with the addition of Lloyd Ricketts singing the third harmony part on a series of superb recordings for the SpiderMan label. Tunes like “Don’t Wake The Lion,” “Brutal,” and “Temptation” followed on 7” release in Jamaica and New York in ’77 and ‘78, establishing the Itals among the best of Jamaica’s singers and songwriters. The Itals were twice finalists in the Jamaica Festival Song Competition, and their 1981 tune, “Jamaican Style,” earned them a place at Reggae Sunsplash that year. 1982 saw the release of the first Itals’ album, “Brutal Out Deh” on Nighthawk Records.

The Itals toured the US and Canada backed by the Roots Radics. Their second album, “Give Me Power,” was released to critical acclaim and hit #1 on CMJ’s Reggae Route chart. In 1985, Pollstar Magazine placed them in the top 100 artists of the year. The Itals’ third recording, “Rasta Philosophy,” won a Grammy nomination for best reggae album, followed by “Cool And Dread.” Their fifth album, “Early Recordings,” gathers together all the Itals’ early singles and several rare pre-Itals tracks for a collector’s feast from Nighthawk. Next came the Rhythm Safari album “Easy to Catch”, followed by “Modern Age” on Ras Records, and continuous touring throughout the U.S., Canada and Europe. Over the years, the Itals have performed countless shows worldwide. Although the harmony singers have sometimes changed, they still sound as sweet as ever, backing the original Itals lead vocalist, Keith Porter. Now, with the release of “Mi Livity” from the Itals’ Keith Porter, the Ital tradition continues into the current music scene.

 

indubious

 The story of Indubious is not for the faint of heart. Like a phoenix rising from the ashes, Indubious was forged in the fires of pain and destruction. Evton and Skip, brothers and bandmates born with Cystic Fibrosis and convinced by doctors of their impending death from an early age, have emerged as a powerful force for change and the future of conscious music. Their only choice has always been mind over matter, and time has proven that their unbending positive outlook, combined with an inspiring message of love and hope, has not only helped them overcome personal hardship, but catapulted their music onto the world stage with an unstoppable momentum.

 

    Currently based in Oregon, Indubious has released four albums over the past few years, including Wake The Lion which was produced by EDM/Dub/Reggae pioneer Gaudi. Their new album From Zero, which dropped on 7-1-17, debuted at #6 on the Billboard Reggae Chart and #8 on iTunes Reggae Chart, features legendary guest artists including Dancehall icon Sizzla, Vaughn Benjamin (formally of Midnite and Akae Beka), and Reggae/R&B singer Zahira Soul. From Zero is a mix of conscious Dancehall and Roots Reggae with top level production. All songs were written, produced, and engineered by Indubious, and released on their own label Righteous Sound Productions.

 

“Simply put, Indubious is my favorite band of 2017, and From Zero is my favorite album of 2017 - and it truly

deserves to be yours too.” review by Russel A. Trunk via annecarlini.com

 

“For me, that’s one of the most original, refreshing pieces of reggae music i’ve heard in a long time. I think it’s really special.” David Rodigan on BBC in regards to the song See Sharp off

of From Zero

 

    Armed with impressive instrumental skill, powerful harmonies, and an electrifying stage presence, Indubious is destined to change the face of music. They have developed a steadily rising reputation as ambassadors of the West Coast Reggae movement. Leaving audiences stunned and amazed whilst shattering any preconceived notions of genre and style, they recruit fans from all walks of life, affectionately called "Indubians."

 

    Indubious has performed worldwide on international tours and at many prestigious festivals including Wakarusa, Gathering Of The Vibes, Reggae On The River, Sulafest in India, Sierra Nevada World Music Festival, California Roots Festival, Beloved, Britt Festivals, The Oregon Country Faire, Reggae In The Hills, Northwest World Reggae Festival, Earthdance, Gaia Festival, plus club and concert hall tours from Seattle to San Diego. They have shared the stage and toured with many influential names such as Black Uhuru, Matisyahu, Blondie, Michael Franti, Stephen Marley, Rebelution, Junior Reid, and Pato Banton, to name a few.

 

    The widely acclaimed Indubious album Wake The Lion received featured placement on Beatport, iTunes, Amazon, and numerous media outlets. Indubious' unique sound was brought vibrantly to the surface by the legendary composer/producer Gaudi, showcasing Wake The Lion as a textural journey into the world of Rootstronica. Lush synths, deep bass, and visionary lyricism encompass the entire record, blurring the lines between roots, dub, dancehall, and heavy dance psychedelia. Vibrationally rich and musically brilliant, the album champions a revolutionary sound and pushes the boundaries of reggae music.

 

    The band and their legion of fans have adopted the motto “Live Indubiously,” which means living life without doubt or fear, and with faith in the fact that we are all here for a reason. “Our gift is music,” says Indubious, “and our mission is to reconnect the people of the world with rightful living. We wish to speak the truth in an effort to inspire others to do the same, to raise the positive vibrations of our planet, and to help others express the true loving nature within us all.”

 

 


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